The sculpture that Mark di Suvero began to make in the late 1950s consisted of massive, weathered timbers and found objects such as barrels, chains, or tires. Their dramatically cantilevered forms were seen as sculptural equivalents of the bold, gestural paintings of Franz Kline or Willem de Kooning. In the 1960s di Suvero stopped relying on scavenged industrial materials and began to create works from steel beams that he moved with cranes and bolted together to create large outdoor pieces.
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